What is A Piece of the World about?

What is A Piece of the World about?

Told in evocative and lucid prose, A Piece of the World is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.

Is A Piece of the World true?

A Piece of the World is the absorbing fictionalized backstory of Christina Olson, the subject of the painting. Kline is not the first novelist to base his/her novel on an actual painting or work of art.

Who is Christina Baker?

Christina Baker Kline is the #1 New York Times bestselling author of eight novels, including The Exiles, Orphan Train, and A Piece of the World, and the author and/or editor of five nonfiction books. She is published in more than 40 countries; her books are taught in universities, colleges, and high schools.

What disease does Christina have in A Piece of the World?

Charcot-Marie Tooth
Olson lived on her family farm in South Cushing, Maine, near Wyeth’s vacation home. Although neurologists initially thought Olson had polio, they now believe she suffered from Charcot-Marie Tooth (CMT) disease, which causes weakness in the feet and lower leg muscles.

What is a fancy word for book?

synonyms for book

  • album.
  • booklet.
  • brochure.
  • copy.
  • dictionary.
  • edition.
  • essay.
  • fiction.

How many pages is a piece of the world?

352
Product Details

ISBN-13: 9780062356277
Publisher: HarperCollins Publishers
Publication date: 01/30/2018
Edition description: Reprint
Pages: 352

What does Christina’s World represent?

The title Christina’s World, courtesy of Wyeth’s wife, indicates that the painting is more a psychological landscape than a portrait, a portrayal of a state of mind rather than a place.

Who wrote orphan train?

Christina Baker KlineOrphan Train / Author

Where was Christina Baker Kline born?

Cambridge, United KingdomChristina Baker Kline / Place of birth

What is the meaning of the painting Christina’s World?

The title Christina’s World, courtesy of Wyeth’s wife, indicates that the painting is more a psychological landscape than a portrait, a portrayal of a state of mind rather than a place. Publication excerpt from MoMA Highlights: 375.

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